AKG D112 is a classic mic for kick drums that features large diaphragm, designed for high sound pressure and can handle quite a bit of vibrations. Typically, dynamic mics never boast having balanced frequency charts, especially when meant for kick recording where all you’d probably hope for is a decent low-end.
What is frequency response of AKG D112?
The D112 is a dynamic cardioid microphone designed for miking bass instruments. Its frequency response extends down to 20 Hz and it is completely overload-proof. The sound entry side is identified by a green bumper band.
What is an AKG D112?
The D112 is a highly popular mic best known for Kick Drum applications in the studio or on stage. AKG are well known for quality and value so you can rely on the D112 to handle your sound. With a response tailored for bass guitar and bass drum pickup, its great for use both in the studio and on-stage.
Is phantom power bad for dynamic mics?
Well, the answer is no, dynamic microphones do not need phantom power because they do not contain active circuitry. Applying phantom power to a dynamic microphone will not do anything or cause any damage to the equipment.
Is the AKG D112 MKII the best bass drum microphone?
There’s no denying that the AKG D112 is a standard for bass drum miking. But the rigid mic stand mount could really make it difficult to get that microphone right where you need it to capture the optimal sound you’re going for. The D112 MKII solves this problem with an integrated flexible mount.
What makes the D112 MkII different from its predecessor?
The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard.
Should you buy a D112 microphone for stage?
The D112 microphone can take a beating. It’s robust, well-built, and the threaded stand mount is part of the units chassis. Even if the stand it’s mounted to gets knocked, the D112 won’t care. It’s built to be used and abused. Quality Vs. Price Sure, there are probably better microphones you could use on stage.
Is the Roland D112 a good mic for kick?
Even if you’re heavy on the kick, the D112 can handle up to 150dB of SPL without any clipping or distortion, and the mic’s frequency range extends especially low, giving you impressive response even below 100Hz. And with a presence boost specifically at 4kHz, the D112 will give even your bassiest sounds a cutting punch.
